專輯中文名: The Air Is On Fire
資源格式: MP3
版本: Installation
發行時間: 2007年
簡介:
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專輯風格：Dark Ambient
壓縮比率：160KbpsVBR
發行公司：Thames & Hudson
專輯介紹：
這是美國非主流、先鋒、後現代、荒誕、神秘、反好萊塢(天啊，我在說了些什麼……)的偉大導演David Lynch(大衛·林奇)在2007年以他的名義舉辦的實驗藝術展覽會上一部分計劃。這個巴黎Fondation Cartier(卡提亞基金會現代藝術)展出品與David Lynch那非人的藝術構思有關，以大師欽典的The Air Is On Fire命名，包括大量的攝影、油畫、雕塑、繪畫甚至概念性的家具作品，當然也涉及了音樂和電影。在這個豐富多彩的展覽會中，人們可以跳出那個怪誕的電影氛圍空間來體味David Lynch復雜的、難以言傳、無視現實的思想境界，盡管這的確是一件讓普通人捉狂的事情。
這次展會也發行了畫冊及紀念書籍，這張即是展會中的音樂選摘，共8段Dark Ambient，未命名(Untitled
)，只以1-8來代替，就連這點兒超現實主義的表現，大師也沒放過……
專輯風格：Dark Ambient
壓縮比率：160KbpsVBR
發行公司：Thames & Hudson
專輯介紹：
這是美國非主流、先鋒、後現代、荒誕、神秘、反好萊塢(天啊，我在說了些什麼……)的偉大導演David Lynch(大衛·林奇)在2007年以他的名義舉辦的實驗藝術展覽會上一部分計劃。這個巴黎Fondation Cartier(卡提亞基金會現代藝術)展出品與David Lynch那非人的藝術構思有關，以大師欽典的The Air Is On Fire命名，包括大量的攝影、油畫、雕塑、繪畫甚至概念性的家具作品，當然也涉及了音樂和電影。在這個豐富多彩的展覽會中，人們可以跳出那個怪誕的電影氛圍空間來體味David Lynch復雜的、難以言傳、無視現實的思想境界，盡管這的確是一件讓普通人捉狂的事情。
這次展會也發行了畫冊及紀念書籍，這張即是展會中的音樂選摘，共8段Dark Ambient，未命名(Untitled
)，只以1-8來代替，就連這點兒超現實主義的表現，大師也沒放過……
專輯曲目:
Untitled 01-08
專輯英文名: Lux Vivens
專輯中文名: 生動的光
資源格式: APE
發行時間: 1998年
簡介:
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Artist Jocelyn Montgomery & David Lynch
Album Title Lux Vivens
Date of Release Aug 25, 1998
專輯介紹：
導演大衛-林奇(David Lynch)是當代美國非主流電影的代表人物。他的影片以華麗、陰郁、詭異夾帶著黑色幽默的風格在影壇獨樹一幟。他往往在公路片的形式格局中，運用弗洛伊德的心理分析，展示出現代人焦慮郁悶的精神症候。其在現實與超現實之間的自由游走，對暴力和性的大膽表現，前衛奇異、極具視覺沖擊力的影像，都使他的作品散發出獨特的個人魅力。
作為音樂家的大衛·林奇
大衛·林奇不只是個電影人，在電影的領域裡，他是導演、編劇、攝影、剪輯、制片人、特技效果和動畫設計，他同時還是音響設計、歌詞作者、畫家、演奏家，等等等等，在與感官有關的一切領域， 他都一通百通地插上了手。
在他早期的作品中，他就已經充分展示了他作為一個音響設計專家和音樂家的天賦，1986年，他開始和安吉羅·巴德拉門蒂（Angelo Badalamenti）開始合作後，兩人互相欣賞和互相激發，成就了更多我們腦海中許多忘不掉的聲音。
大衛·林奇的音樂作品裡，在工業化的音樂背景上，通常會有一個飄渺，清澈、靈性的女性聲音高高地懸在黑暗嘈雜的聲音河流上，在1986年後，這個聲音的代言人是大衛·林奇從小酒吧裡發掘出來的朱莉·克魯絲（Julee Cruise），她演唱了《藍絲絨》、《雙峰鎮》裡所有的歌曲，並在《雙峰鎮》裡扮演「路屋」酒吧的女歌手，後來和又演唱了大衛·林奇《工業交響曲1號：傷心之夢》裡的歌，這些作品收入了大衛·林奇為她制作的專輯《漂移入夜》（Floating Into The Night）和《愛之音》（The Voice of Love）中。
一個比朱莉.克魯絲更遠離現實的女孩從英國嫁到美國，她會唱一些真正的老歌——公元11到12世紀的天才修女西爾德加德.范.本珍(Hildegard Von Bingen)寫的歌。大衛林奇拿出30年來的噪音經驗，並且徹底離開搖滾，為約瑟琳.蒙特高莫莉(Jocelyn Montgomery)制作了一張歌唱專輯——《生動的光》(Lux Vivens)。這是1998年。林奇看來很悠閒。他弄了些長音來，就像把《祖母》、《橡皮頭》、《象人》、《沙丘》和為紀念電影誕辰100周年拍的短片裡所有的音效重新整理了一遍，但也可以說，他使用了當時歐洲實驗電子樂流派裡的drone、黑暗氛圍(dark ambient)、氛圍噪音(ambient noise)之類的新玩意。蒙特高莫莉的歌聲神聖莊嚴，不食人間煙火，直接把人帶回1000年以前；在沒有任何其他樂器的情況下，林奇的噪音既襯托、又乾擾了歌聲，讓人同時產生了想上天堂和願意做一次地獄七日游的願望。這專輯不可小瞧，它的確充滿誘惑。
Album Description
Jocelyn Montgomery was surround by music while growing up in England. With a grandfather who hobbied as a fiddle-maker introduced her to the beautiful, classical sounds of her native country. Furthering her interests at The Purcell School of Music for the next six years, Montgomery studied formal vocal training and continued it at Saint Paul's Girl School while taking up the Violin. After graduation, she spent a couple years flexing her classical folk background at various parties and weddings while studying composition in London. With some indie-film roles under her belt -done for the sake of paying her bills- Montgomery eventually married and moved to Los Angeles, but of course not letting that get in the way of her singing career. With additional recognition as a result of her new found home, Mammoth Records immediately came to Montgomery's attention and released "Lux Vivens" in 1998 with additional production help from film maker David Lynch.
The teaming of former Miranda Sex Garden vocalist/fiddler Jocelyn Montgomery with the bleak auteur-of-darkness David Lynch might seem inaccessible in theory. But the duo's startlingly lovely modern take on 12th century abbess Hildegard von Bingen's music on Lux Vivens is remarkably alive and endlessly compelling. Lynch's industrial drone and bizarre sound samples, from gentle waves to crashing thunder, aren't that far removed from his Eraserhead score. His brooding tones suggest funeral marches, chirping birds in flight, battles between Heaven and Hell, landscapes devoid of light, and percolating medieval stews. One can't emphasize enough just how beautifully Montgomery's tender, yearning voice works with Lynch's stoic sonic base. She comes across like a sweeter and more religious Sinéad O'Connor, without the latter's pop sense. Montgomery almost seems the perfect mixture of O'Connor and the Cocteau Twins' Liz Fraser; equal parts inner strength and angelic levity. Indeed, it would be hard to overstate the otherworldly beauty of Montgomery's stunning, nearly transcendental vocal work here. It seems both Montgomery and Lynch found equal muses in each other, if only because their highly contrasting musical styles clash and weave together so magically over the course of the album. Completely accessible, and brimming with emotion and style, Lux Vivens is an absolute aural treat that both sounds wonderful as background music, and rewards intensely close listening. The title says it all, really: the duo's music is a kind of living light. Gorgeous.
Artist Jocelyn Montgomery & David Lynch
Album Title Lux Vivens
Date of Release Aug 25, 1998
專輯介紹：
導演大衛-林奇(David Lynch)是當代美國非主流電影的代表人物。他的影片以華麗、陰郁、詭異夾帶著黑色幽默的風格在影壇獨樹一幟。他往往在公路片的形式格局中，運用弗洛伊德的心理分析，展示出現代人焦慮郁悶的精神症候。其在現實與超現實之間的自由游走，對暴力和性的大膽表現，前衛奇異、極具視覺沖擊力的影像，都使他的作品散發出獨特的個人魅力。
作為音樂家的大衛·林奇
大衛·林奇不只是個電影人，在電影的領域裡，他是導演、編劇、攝影、剪輯、制片人、特技效果和動畫設計，他同時還是音響設計、歌詞作者、畫家、演奏家，等等等等，在與感官有關的一切領域， 他都一通百通地插上了手。
在他早期的作品中，他就已經充分展示了他作為一個音響設計專家和音樂家的天賦，1986年，他開始和安吉羅·巴德拉門蒂（Angelo Badalamenti）開始合作後，兩人互相欣賞和互相激發，成就了更多我們腦海中許多忘不掉的聲音。
大衛·林奇的音樂作品裡，在工業化的音樂背景上，通常會有一個飄渺，清澈、靈性的女性聲音高高地懸在黑暗嘈雜的聲音河流上，在1986年後，這個聲音的代言人是大衛·林奇從小酒吧裡發掘出來的朱莉·克魯絲（Julee Cruise），她演唱了《藍絲絨》、《雙峰鎮》裡所有的歌曲，並在《雙峰鎮》裡扮演「路屋」酒吧的女歌手，後來和又演唱了大衛·林奇《工業交響曲1號：傷心之夢》裡的歌，這些作品收入了大衛·林奇為她制作的專輯《漂移入夜》（Floating Into The Night）和《愛之音》（The Voice of Love）中。
一個比朱莉.克魯絲更遠離現實的女孩從英國嫁到美國，她會唱一些真正的老歌——公元11到12世紀的天才修女西爾德加德.范.本珍(Hildegard Von Bingen)寫的歌。大衛林奇拿出30年來的噪音經驗，並且徹底離開搖滾，為約瑟琳.蒙特高莫莉(Jocelyn Montgomery)制作了一張歌唱專輯——《生動的光》(Lux Vivens)。這是1998年。林奇看來很悠閒。他弄了些長音來，就像把《祖母》、《橡皮頭》、《象人》、《沙丘》和為紀念電影誕辰100周年拍的短片裡所有的音效重新整理了一遍，但也可以說，他使用了當時歐洲實驗電子樂流派裡的drone、黑暗氛圍(dark ambient)、氛圍噪音(ambient noise)之類的新玩意。蒙特高莫莉的歌聲神聖莊嚴，不食人間煙火，直接把人帶回1000年以前；在沒有任何其他樂器的情況下，林奇的噪音既襯托、又乾擾了歌聲，讓人同時產生了想上天堂和願意做一次地獄七日游的願望。這專輯不可小瞧，它的確充滿誘惑。
Album Description
Jocelyn Montgomery was surround by music while growing up in England. With a grandfather who hobbied as a fiddle-maker introduced her to the beautiful, classical sounds of her native country. Furthering her interests at The Purcell School of Music for the next six years, Montgomery studied formal vocal training and continued it at Saint Paul's Girl School while taking up the Violin. After graduation, she spent a couple years flexing her classical folk background at various parties and weddings while studying composition in London. With some indie-film roles under her belt -done for the sake of paying her bills- Montgomery eventually married and moved to Los Angeles, but of course not letting that get in the way of her singing career. With additional recognition as a result of her new found home, Mammoth Records immediately came to Montgomery's attention and released "Lux Vivens" in 1998 with additional production help from film maker David Lynch.
The teaming of former Miranda Sex Garden vocalist/fiddler Jocelyn Montgomery with the bleak auteur-of-darkness David Lynch might seem inaccessible in theory. But the duo's startlingly lovely modern take on 12th century abbess Hildegard von Bingen's music on Lux Vivens is remarkably alive and endlessly compelling. Lynch's industrial drone and bizarre sound samples, from gentle waves to crashing thunder, aren't that far removed from his Eraserhead score. His brooding tones suggest funeral marches, chirping birds in flight, battles between Heaven and Hell, landscapes devoid of light, and percolating medieval stews. One can't emphasize enough just how beautifully Montgomery's tender, yearning voice works with Lynch's stoic sonic base. She comes across like a sweeter and more religious Sinéad O'Connor, without the latter's pop sense. Montgomery almost seems the perfect mixture of O'Connor and the Cocteau Twins' Liz Fraser; equal parts inner strength and angelic levity. Indeed, it would be hard to overstate the otherworldly beauty of Montgomery's stunning, nearly transcendental vocal work here. It seems both Montgomery and Lynch found equal muses in each other, if only because their highly contrasting musical styles clash and weave together so magically over the course of the album. Completely accessible, and brimming with emotion and style, Lux Vivens is an absolute aural treat that both sounds wonderful as background music, and rewards intensely close listening. The title says it all, really: the duo's music is a kind of living light. Gorgeous.
專輯曲目:
1. Flame and Vision performed by Montgomery / David Lynch - 1:53
2. Sapientie performed by Montgomery / David Lynch - 3:10
3. O Tu Illustrata performed by Montgomery / David Lynch - 8:23
4. Et Ideo performed by Montgomery / David Lynch - 3:21
5. Viridissima performed by Montgomery / David Lynch - 5:07
6. Battle and Aftermath performed by Montgomery / David Lynch - 1:41
7. Gloria Patri performed by Montgomery / David Lynch - 2:31
8. Lux Vivens performed by Montgomery / David Lynch - 8:22
9. Deus Enim performed by Montgomery / David Lynch - 2:50
10. Clarissima performed by Montgomery / David Lynch - 7:21
11. Orzchis performed by Montgomery / David Lynch - 2:43
12. Caritas performed by Montgomery / David Lynch - 2:49
13. Kyrie performed by Montgomery / David Lynch - 2:56
14. Hodie performed by Montgomery / David Lynch - 2:56
15. Alleluia performed by Montgomery / David Lynch - 6:21
2. Sapientie performed by Montgomery / David Lynch - 3:10
3. O Tu Illustrata performed by Montgomery / David Lynch - 8:23
4. Et Ideo performed by Montgomery / David Lynch - 3:21
5. Viridissima performed by Montgomery / David Lynch - 5:07
6. Battle and Aftermath performed by Montgomery / David Lynch - 1:41
7. Gloria Patri performed by Montgomery / David Lynch - 2:31
8. Lux Vivens performed by Montgomery / David Lynch - 8:22
9. Deus Enim performed by Montgomery / David Lynch - 2:50
10. Clarissima performed by Montgomery / David Lynch - 7:21
11. Orzchis performed by Montgomery / David Lynch - 2:43
12. Caritas performed by Montgomery / David Lynch - 2:49
13. Kyrie performed by Montgomery / David Lynch - 2:56
14. Hodie performed by Montgomery / David Lynch - 2:56
15. Alleluia performed by Montgomery / David Lynch - 6:21
Ref: VeryCD
http://www.triennale.it/triennale/sito_html/airisonfire/home_eng.html
ReplyDeletehttp://www.lynchnet.com/luxvivens/
無字天書終於顯現神蹟啦~~~
ReplyDeleteGot the CD, Lux Vivens.
ReplyDelete